King Oliver's Jazz Band
1. 出生与逝世日期 1881年5月11日 – 1938年4月10日
2. 中文介绍
King Oliver(原名 Joseph Nathan Oliver)是爵士乐初创时期的关键导师,也是新奥尔良爵士乐(New Orleans Jazz)最伟大的旗手。作为 Louis Armstrong 的精神导师与恩师,他不仅确立了短号(Cornet)在早期爵士乐中的核心地位,更通过他对弱音器的创新使用,赋予了铜管乐器如人类般“说话”的能力。
新奥尔良的小号之王 (1900s–1917)
在爵士乐的摇篮新奥尔良,King Oliver 凭借其威猛的音色和绝对的领导力,继承了从 Buddy Bolden 传下来的“国王”(King)称号。他活跃在传奇的 Storyville 区,指挥着当时最顶尖的行进乐队和舞演乐团。他的演奏不仅是力量的象征,更是节奏与蓝调色彩的完美结合。
芝加哥盛世与“克里奥尔爵士乐团” (1918–1924)
1918年,随着大迁徙的浪潮,Oliver 前往芝加哥,并组建了著名的 King Oliver’s Creole Jazz Band。1922年,他写信给远在新奥尔良的徒弟 Louis Armstrong,邀请他加入乐团。两人在芝加哥形成的“双短号”对位(Cornet Duets)成了爵士乐史上的神话。他们录制的《Dippermouth Blues》等曲目,成为了新奥尔良集体即兴风格的巅峰录音,定义了早期爵士乐的审美标准。
晚年的悲剧与落幕 (1925–1938)
随着摇摆大乐团(Swing Era)的兴起,Oliver 那种强调集体即兴的风格逐渐显得“过时”。由于他性格固执,错过了多次商业良机(包括拒绝了后来让 Duke Ellington 成名的 Cotton Club 驻演邀请)。更不幸的是,严重的牙周病让他失去了演奏小号所必须的口型控制。他晚年在乔治亚州经营一家水果摊,甚至沦为台球厅的清洁工。1938年,这位曾经的爵士乐之王在贫困与寂寞中去世。
3. 乐评人专栏:被遗忘的“造物主”
作为乐评人,看 King Oliver 不能只看他的录音,更要看他为整个流派设定的基因代码。
-
弱音器的魔术师:他是第一个把杯状弱音器、玻璃杯甚至浴缸塞子塞进号口的人。通过改变气流,他让短号发出了“哇哇”(Wa-wa)的哭笑声。这种“拟人化”的演奏方式,让爵士乐彻底脱离了欧洲古典铜管乐的刻板,注入了黑人灵歌的灵魂。
-
甘为人梯的胸怀:如果没有 Oliver 的提携,Louis Armstrong 可能只是新奥尔良码头的一个普通乐手。他在芝加哥给予了徒弟最大的展示空间,甚至在双小号对位中甘愿担任支撑性的二号位。这种艺术上的慷慨,促成了爵士乐从“集体即兴”向“个人英雄主义”的跨越。
-
悲剧性的纯粹:Oliver 的晚年是爵士乐史上最令人心碎的篇章。他是一个拒绝向商业潮流妥协的古板匠人。当你听他那些略显陈旧的录音时,请记住,那是爵士乐最原始、最纯净的泥土气息,没有后来的修饰,只有最诚实的摇摆。
核心总结: King Oliver 是爵士乐的圣施洗约翰。他开辟了道路,并在约旦河中为后来的天才们“洗礼”。他是那个亲手将火焰传递下去,自己却在黑暗中慢慢熄灭的人。
乐评人私语: 听《Dippermouth Blues》时,留意那个标志性的“Oh, play it!”呐喊。那是爵士乐初创时的生命力。King Oliver 虽没赶上最好的时代,但没有他,我们就没有后来的整个爵士盛世。
King Oliver's Creole Jazz Band
1. 出生与逝世日期 1881年5月11日 – 1938年4月10日
2. 中文介绍
King Oliver(原名 Joseph Nathan Oliver)是爵士乐初创时期的关键导师,也是新奥尔良爵士乐(New Orleans Jazz)最伟大的旗手。作为 Louis Armstrong 的精神导师与恩师,他不仅确立了短号(Cornet)在早期爵士乐中的核心地位,更通过他对弱音器的创新使用,赋予了铜管乐器如人类般“说话”的能力。
新奥尔良的小号之王 (1900s–1917)
在爵士乐的摇篮新奥尔良,King Oliver 凭借其威猛的音色和绝对的领导力,继承了从 Buddy Bolden 传下来的“国王”(King)称号。他活跃在传奇的 Storyville 区,指挥着当时最顶尖的行进乐队和舞演乐团。他的演奏不仅是力量的象征,更是节奏与蓝调色彩的完美结合。
芝加哥盛世与“克里奥尔爵士乐团” (1918–1924)
1918年,随着大迁徙的浪潮,Oliver 前往芝加哥,并组建了著名的 King Oliver’s Creole Jazz Band。1922年,他写信给远在新奥尔良的徒弟 Louis Armstrong,邀请他加入乐团。两人在芝加哥形成的“双短号”对位(Cornet Duets)成了爵士乐史上的神话。他们录制的《Dippermouth Blues》等曲目,成为了新奥尔良集体即兴风格的巅峰录音,定义了早期爵士乐的审美标准。
晚年的悲剧与落幕 (1925–1938)
随着摇摆大乐团(Swing Era)的兴起,Oliver 那种强调集体即兴的风格逐渐显得“过时”。由于他性格固执,错过了多次商业良机(包括拒绝了后来让 Duke Ellington 成名的 Cotton Club 驻演邀请)。更不幸的是,严重的牙周病让他失去了演奏小号所必须的口型控制。他晚年在乔治亚州经营一家水果摊,甚至沦为台球厅的清洁工。1938年,这位曾经的爵士乐之王在贫困与寂寞中去世。
3. 乐评人专栏:被遗忘的“造物主”
作为乐评人,看 King Oliver 不能只看他的录音,更要看他为整个流派设定的基因代码。
-
弱音器的魔术师:他是第一个把杯状弱音器、玻璃杯甚至浴缸塞子塞进号口的人。通过改变气流,他让短号发出了“哇哇”(Wa-wa)的哭笑声。这种“拟人化”的演奏方式,让爵士乐彻底脱离了欧洲古典铜管乐的刻板,注入了黑人灵歌的灵魂。
-
甘为人梯的胸怀:如果没有 Oliver 的提携,Louis Armstrong 可能只是新奥尔良码头的一个普通乐手。他在芝加哥给予了徒弟最大的展示空间,甚至在双小号对位中甘愿担任支撑性的二号位。这种艺术上的慷慨,促成了爵士乐从“集体即兴”向“个人英雄主义”的跨越。
-
悲剧性的纯粹:Oliver 的晚年是爵士乐史上最令人心碎的篇章。他是一个拒绝向商业潮流妥协的古板匠人。当你听他那些略显陈旧的录音时,请记住,那是爵士乐最原始、最纯净的泥土气息,没有后来的修饰,只有最诚实的摇摆。
核心总结: King Oliver 是爵士乐的圣施洗约翰。他开辟了道路,并在约旦河中为后来的天才们“洗礼”。他是那个亲手将火焰传递下去,自己却在黑暗中慢慢熄灭的人。
乐评人私语: 听《Dippermouth Blues》时,留意那个标志性的“Oh, play it!”呐喊。那是爵士乐初创时的生命力。King Oliver 虽没赶上最好的时代,但没有他,我们就没有后来的整个爵士盛世。
Jazzanova
Biography
German DJ and producer collective in electronic fusion music from Berlin, Hamburg, and Munich.
Started as a DJ team in 1995 and moved on to production in 1996. In 1998, they founded a collective (a formless group of musicians, producers and DJ's) as well as running and operating a label, both under the name [l1748].
Their name is taken from [a=Ira Kris Group]'s album "[m=733829]" (1972).
Also known as: J-Nova, Jazanova, Jxzzxnxvx, ジャザノヴァ
Members: Axel Reinemer, Stefan Leisering, Roskow Kretschmann, Alex Barck, Claas Brieler, Jürgen von Knoblauch, Stefan Ulrich (3), Jan Burkamp, Sebastian Studnitzky
Links:
- http://www.sonarkollektiv.de
- http://www.jazzanova.com
- http://jazzanova.bandcamp.com
- http://www.facebook.com/jazzanova
- http://www.songkick.com/artists/147222-jazzanova
- http://soundcloud.com/jazzanova
- http://twitter.com/real_jazzanova
- http://en.wikipedia.org/wiki/Jazzanova
- http://www.youtube.com/user/JazzanovaChannel
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Umo Jazz Orchestra
Biography
UMO Jazz Orchestra is a Finnish big band jazz orchestra founded in 1975 by [a=Heikki Sarmanto] and [a=Esko Linnavalli]. UMO comes from the words "Uuden Musiikin Orkesteri" (New Music Orchestra in English).
The band name was changed to [a8381523] in November 2018.
Also known as: New Music Orchestra, New Music Orchestra (UMO), The UMO Jazz Orchestra, UMO, UMO Big Band, UMO Helsinki Jazz Orchestra, UMO Jazz Orchestra Ja Jousikvintetti, UMO New Music Orchestra, UMO – New Music Orchestra, Umo, Umo Helsinki Jazz Orchestra, Umo New Music Orchestra, Uuden Musiikin Orkesteri (UMO)
Members: Eero Koivistoinen, Olli Ahvenlahti, Heikki Sarmanto, Esko Rosnell, Pekka Pöyry, Pekka Sarmanto, Mikko Mustonen, Marzi Nyman, Antero Priha, Jan Kohlin, Esko Linnavalli, Jukkis Uotila, Olli Ojajärvi, Juhani Aalto, Unto Haapa-Aho, Juhani Aaltonen, Kaj Backlund, Markku Johansson, Pentti Lahti, Mircea Stan, Mikko Hassinen, Mongo Aaltonen, Mikko Pettinen, Petri Juutilainen, Teemu Salminen, Heikki Haimila, Tom Bildo, Kari Heinilä, Manuel Dunkel, Seppo Kantonen, Jouni Järvelä, Markus Ketola, Tero Saarti, Ville Huolman, Markku Veijonsuo, Simo Salminen, Pentti Lasanen, Jari Hongisto, Pepa Päivinen, Otto Berger, Esko Heikkinen, Timo Paasonen, Heikki Tuhkanen, Jörgen Petersen, Jukka Perko, Mikael Långbacka, Pekka Laukkanen, Lars Danielsson (3), Jarno Kukkonen, Kasperi Sarikoski, Mikko Mäkinen (3), Kirmo Lintinen, Teemu Mattsson, Ville Vannemaa, Valtteri Malmivirta
Links:
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Jazzie B
Biography
Born Hornsey, London, England 1963.
Also known as: Jazzie, Jazzie B., Jazzy B, Jazzy B.
Links:
- http://www.myspace.com/officialjazzieb
- https://www.facebook.com/jazzieb.obe
- https://twitter.com/JazzieB
- https://www.instagram.com/jazziebobe
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The Great Jazz Trio
Also known as: G.J.T., GJT, Great Jazz Trio, Great Jazz Trio+1, The Great Jazz Trio & Friends, The Great Jazz Trio +, ザ・グレイト・ジャズ・トリオ, ザ・グレート・ジャズ・トリオ
Members: Ron Carter, Elvin Jones, Buddy Williams, Jack DeJohnette, Jimmy Cobb, Billy Hart, John Patitucci, David Finck, Omar Hakim, Mads Vinding, Anthony Williams, Richard Davis (2), Hank Jones, Al Foster, Eddie Gomez, Lee Pearson (2), Jerome Jennings, David Wong, Yosuke Inoue
Links:
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Traditional Jazz Studio
Biography
Czech dixieland orchestra, established and led by [a=Pavel Smetáček] since 1959. Still actively performing as of 2009.
Also known as: P.D., Stud. Skup. Trad. Jazzu, Studijní Skupina Tradičního Džezu, Studijní Skupina Tradičního Jazzu, Study Group Of Traditional Jazz, Study Group Of Traditional Jazz Prague, Study Group Of Traditional Jazz, Prague, The Traditional Jazz Studio, Trad., Trad. Yupanqui, Traditional Jazz Studio Pavla Smetáčka, Traditional Jazz Studio Prag, Traditional Jazz Studio Praha, Traditional Jazz Studio, Prag, Traditional Jazz-Studio, Traditionnel
Members: Jaroslav Fuksa, Petr Fleischer, Josef Rejman, Ivo Pluháček, Jiří Pechar, Pavel Smetáček, Jiří Jirásek, Luboš Zajíček, Hanus Berka, Eugen Jegorov, Jiří Niederle, František Ringo Čech, Antonín Bílý, Alan Vitouš, Eva Svobodová, Jan Antonín Pacák, Ivan Smetáček, Bohumil Veselý, Václav Širl, Evžen Richter, Eva Martínková, Michal Pálka, Jiří Kolář (3), Antonín Nachtman, Antonín Lodr, Vítězslav Marek, Eugen Richter (2), Josef Svechkovsky, Reinhard Schwarz
Links:
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Latin Jazz Quintet
Also known as: Juan Amalbert's Latin Jazz Quintet, Juan Amalbert's Latin Jazz Quintet, Juan Amalbert´s Latin Jazz Quintet, L.A. Jazz, Latin Jazz 5, Latin Jazz Quartet, Latin Septet, The Latin Jazz Quartet, The Latin Jazz Quintet, The Latin Jazz Quintett, The Latin-Jazz Quintet, ザ・ラテン・ジャズ・クインテット
Members: Virgil Jones, Tommy Derrick, Tommy Lopez, Sr., Bill Ellington, Juan Amalbert, Charlie Simons
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Jazz At The Philharmonic
Biography
Jazz At The Philharmonic is a trademark used by jazz entrepreneur and label owner [a=Norman Granz].
Please note: When used as a banner for the ever-changing jam session groups in his touring events or on records, Jazz At The Philharmonic can be used as main artist. But only when Jazz At The Philharmonic is billed on the release in the main artist's place - and when no other obvious main artist is billed on the release or promoted on cover and labels.
Norman Granz's Jazz at the Philharmonic releases do not follow a usual industry pattern for naming and crediting:
All JATP releases with the name and/or logo on them should be listed under the [l=Norman Granz Presents Jazz At The Philharmonic] series, even when Jazz At The Philharmonic is used as main artist. The shorter Jazz At The Philharmonic or any other variation of JatP ahould never be listed as a label, but instead as a series, with the relevant label in brackets afterward if necessary - such as [l=Norman Granz Presents Jazz At The Philharmonic (Verve)].
Company: In the 50's with the Inc. extension, the entity was also a company; [l=Jazz At The Philharmonic, Inc.]
Office: 451 N Canon Dr, Beverly Hills, CA
Also known as: J.A.T.P., J.A.T.P. All Stars, J.A.T.P. All-Stars, JATP, JATP All Stars, JATP All-Stars, Jazz All Stars, Jazz At The Philharmonic All Stars, Jazz At The Philharmonic All-Stars, Jazz At The Philharmonic Concert, Jazz At The Philharmonic Vol. 5, Jazz at the Philharmonic All-Stars, Norman Grantz' Jazz At The Philharmonic, Norman Granz "Jazz At The Philharmonic", Norman Granz Jazz, Norman Granz Jazz At The Philharmonic, Norman Granz' J.A.T.P., Norman Granz' Jazz At The Philharmonic, Norman Granz' Jazz At The Philharmonic Vol. #1, The All Stars, The JATP ALL-STARS, The JATP All Stars, The JATP's, The JATPs, The Jazz All Stars, The Jazz At The Philharmonic All-Stars
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Jazz Gitti
Biography
*13 May 1946 in Vienna, Austria
Jazz Gitti is an Austrian Schlager singer whose recording career spans several decades, beginning in the 1980s and peaking in popularity during the early '90s, when she fronted the band [a1576148]. Born Martha Bohdal on May 13, 1946, in Vienna, Austria, she made her recording debut in 1984 with the 7" single "[r=3020536]" on the label Sing Sang. However, her career didn't take flight until 1990 with the release of her chart-topping full-length album debut, [m=329472]. Billed to [a1576148], the album spawned the number three smash hit single "[r=3037584]".
Subsequent albums [m=357229] (1991), [m=3295714] (1993), [m=2113675] (1995), and [m=2113672] (1996) were fairly popular, reaching the Top 20 or so, but none could rival the success of [m=329472], and none spawned a smash hit single as big as "[r=3037584]". While Jazz Gitti was steadily active in the years that followed, releasing the albums [r=5247310] (1998), [r=24200336] (2001), Es Geht Immer Bergauf (2003), and [r=2837375] (2004), her popularity declined considerably. Not until she moved to the Rebeat label for the release of [r=2838791] in 2006 did she score a major hit. A pair of similarly successful Top Ten albums, [r=2837457] (2007), [r=2837441] (2009) and [r=2837411] (2011) followed.
Also known as: Jazz-Gitti
Links:
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Charles Mingus Jazz Workshop
Also known as: Charles Mingus & The Jazz Workshop All Stars, Charles Mingus And His Jazz Composers Workshop, Charles Mingus' Jazz Workshop, Charlie Mingus Et Son Jazz Workshop, Charlie Mingus Jazz Workshop, J.W.I. : Jazz Workshop Inc., Jazz Workshop, The Charles Mingus Jazz Worksho, The Charles Mingus Jazz Workshop, The Charlie Mingus Jazz Workshop, The Charlie Mingus Jazz Worshop, チャーリー・ミンガス
Members: Richard Williams, Jackie McLean, Eric Dolphy, Yusef Lateef, Charles Mingus, Roland Kirk, Kenny Clarke, Teo Macero, J.J. Johnson, Don Butterfield, Dannie Richmond, Jaki Byard, Booker Ervin, Willie Dennis, Horace Parlan, Jimmy Knepper, Paul Bley, Doug Watkins, Johnny Coles, Ted Curson, Henry Grimes, Mal Waldron, Art Taylor, Pepper Adams, Bennie Green, Clifford Jordan, Kai Winding, John Lewis (2), Thad Jones, Britt Woodman, J.R. Monterose, Willie Jones, George Barrow, Bill Hardman, Charles McPherson, Herman Wright, Curtis Porter, John Laporta, Toshiko Akiyoshi, Clarence Shaw, Bob Hammer, Ed Armour, Jackson Wiley, Clem De Rosa, Nico Bunink, Wally Cirillo, Rudy Nichols
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Preservation Hall Jazz Band
Biography
The Preservation Hall Jazz Band derives its name from [l=Preservation Hall], the venerable music venue located in the heart of New Orleans’ French Quarter, founded in 1961 by Allan and Sandra Jaffe. The band has traveled worldwide spreading their mission to nurture and perpetuate the art form of New Orleans Jazz.
The Preservation Hall Jazz Band is:
• Mark Braud - trumpet, vocals
• Charlie Gabriel - clarinet, vocals
• Freddie Lonzo - trombone
• Rickie Monie - piano
• Clint Maedgen - tenor saxophone, vocals
• Ben Jaffe - Creative Director, tuba
• Ronell Johnson - tuba
• Joe Lastie, Jr. - drums
Other members sometimes include:
• Frank Demond - trombone
• Shannon Powell - percussion
• Leroy Jones - trumpet
• Carl LeBlanc - banjo
• Darryl Adams - saxophone
• Elliot "Stackman" Callier - saxophone
• David Silverman - tuba
Also known as: Full Band, New Orleans' Sweet Emma And Her Preservation Hall Jazz Band, Preservation Hall, Preservation Hall Band, Preservation Hall Horns, The Preservation Hall Band, The Preservation Hall Horns, The Preservation Hall Jazz Band
Members: Leroy Jones, Rickie Monie, Emma Barrett, George Lewis (2), Freddie Lonzo, Dr. Michael White, Willie Humphrey, Walter Payton, Lester Caliste, Carl LeBlanc, Jim Robinson (2), Alcide (Slow Drag) Pavageau, Craig Klein, Shannon Powell, Ralph Johnson (2), Thaddeus Richard, Lucien Barbarin, Ronell Johnson, Darryl Adams (3), Chester Zardis, Don Vappie, Clint Maedgen, Emanuel Sayles, Josiah "Cie" Frazier, Percy Humphrey, Narvin Kimball, Sing Miller, Mark Braud, Joe Lastie, Jr., Charlie Gabriel, Allan Jaffe (2), Wendell Brunious, Jacques Gauthé, Ernie Elly, Maynard Chatters, Ben Jaffe (3), Frank Parker (4), John Brunious (2), David Grillier, Kyle Roussel, Kerry "Fatman" Hunter, Walter Harris (6), Klint Maedgen
Links:
- https://www.preservationhall.com/
- https://www.facebook.com/PreservationHall/
- https://www.youtube.com/user/preservationhall
- https://twitter.com/PresHall
- https://www.allmusic.com/artist/preservation-hall-jazz-band-mn0000358532
- https://en.wikipedia.org/wiki/Preservation_Hall_Jazz_Band
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